REVIEWS

Knock at the Cabin is certainly better than Shyamalan's most recent endeavours, but that doesn't mean it's any better than most films today.

Women Talking blends an unbelievable true story with an outstanding female ensemble to create a poignant, heart-wrenching vendetta.

Sharper features plenty of style, but too much substance to the point where none of its revelations are neither surprising nor rewarding.

Infinity Pool dives into the ethics surrounding its central plot device, but instead gets lost in its own sexual, severe pleasures.

Alice, Darling is a taut thriller that highlights the lingering effects of abusive relationships and the importance of friendship.

Jonah Hill and Eddie Murphy carry this social commentary, joking about common tropes that wouldn't feel out of place in the early 2000s.

Emotional vocal performances and a sublime balance of mature themes and childlike wonder make Pinocchio one of 2022's best animated features

Ritchie and Statham reunite fivefold in Operation Fortune, an enjoyable though ultimately flawed popcorn flick.

The Way of Water is visually avant-garde, but a superfluous runtime dampens any hope for what could have been a well-told familial affair.

In a more than pleasant surprise, Puss in Boots delves into the anxiety of mortality to produce the best Shrek movie in nearly 20 years.

Wednesday is one of Netflix's most charming and loveable experiences, managing to be spooky without being overly-ooky.

The Banshees of Inisherin is a deep-rooted tragicomedy, a career-best performance by Colin Farrell, and the best film of 2022.

Glass Onion may be slightly transparent, but its cast shine life and absurdity on the extravagance of the rich and famous.

The Fabelmans is one of Spielberg's best; a love letter to cinema that will bring a smile of unfeigned delight to the most apathetic viewer.

A stunning performance by Naomi Ackie is sadly overshadowed by a movie that feels like a checklist of events rather than a cohesive story.

The Menu serves up horrifying scenes and delectable dishes that will nourish even the most sour of palettes.

Everything Everywhere All At Once tells a heartfelt, relatable story hidden underneath an unrelatable, game-changing multiverse adventure.

X transports viewers to 1970s Texas in a bloody homage to classic slashers that offers prolific visuals and a breakout lead performance

Matt Reeves brings the iconic vigilante back to his detective roots, untethering a web of gripping enigmas in a masterful interpretation.

Morbius is one of the worst comic book films ever made; an inconsistent, meaningless venture that isn't even ironically enjoyable.