REVIEWS

While most of the ride isn't up to scratch, Toni Collette and Damien Lewis are enough to race Dream Horse to a well-earned, joyous victory.

A Quiet Place Part II is a harrowing, captivating horror sequel that solidifies John Krasinski as one of the best directors working today.

Army of the Dead is a lifeless monster mash of a movie that will somehow keep you entertained if not for its ludicrous vivacity.

Predictability doesn't stop June Again from being a poignant Aussie dramedy that refuses to shy from its honest representation of dementia.

The Mitchells vs The Machines is an emotionally-supercharged testament to animation, rivalling masterpieces years and decades before.

Netflix's The Woman in the Window is a hilarious failure, making you want to leave your home contrary to its dull, agoraphobic protagonist.

Mortal Kombat is far from a flawless victory, but showcases amply-elegant fight choreography and bloody gore fit for fans of the phenomenon.

Wrath of Man showcases glimmers of the Guy Ritchie of old, but still maintains hackneyed elements from every other action film before it.

Judas and the Black Messiah exudes personality and flavour while also justly recounting the harrowing, short life of activist Fred Hampton.

Anthony Hopkins delivers the best performance of his illustrious career in a heart-wrenching, atypical analysis of one's subconscious.

The Courier is an inoffensive, suspenseful thriller that shines light on an unsung hero of The Cold War.

Godzilla vs. Kong delivers titanic action as advertised, but is let down by its inhuman human characters.

Archenemy's frequent glimmers of hope are sadly overshadowed by a compact runtime and overcomplicated plot.

The Snyder Cut, despite an egregious 4-hour runtime, develops and refines everything wrong with the 2017 theatrical release.

The Little Things is visually and ambiently beautiful, but fails to deliver on its stellar cast and engaging first act.

Palm Springs perfectly balances charming humour with an introspective analysis into the meaning of life and love.

Coming 2 America doesn't leave a stain on the original, but fails to improve on Eddie Murphy's cult classic.

Groundhog Day and Scott Pilgrim vs. the World blend to create a campy film which takes itself way too seriously.

The luck of the Irish wasn't on Jamie Dornan's side in a passable tale of love completely carried by Emily Blunt.

There was plenty of love, there was one wedding, and it all culminated into one giant cinematic disaster.